• Kiyoshi Koishi (1908-1957)

Avant-garde project employing photomontage, photograms, and experimental techniques inspired by European modernists.

• Man Ray (1890-1976)

A 1922 portfolio blending experimental photograms and avant-garde themes to redefine photography as conceptual art.

• László Moholy-Nagy (1895-1946)

Exploration of photography and film as equal partners to painting, showcasing how these media can capture and reinterpret the mechanized world through new perspectives and abstract compositions.

• Man Ray (1890-1976)

Collaborative project blending Paul Éluard’s poetry and Man Ray’s experimental photography, epitomising Surrealist ideals.

• André Kertész (1894-1985)

Fragmented and reshaped human forms through distorting mirrors and unconventional perspectives.

• Moi Ver (1904-1995)

Paris through experimental photomontages, reflecting the city as a site of urban spectacle and artistic innovation.