(Pierre Belfond, 1968)
(Méridianes, 2014)
(Umschau/Braus, 1999)
(Prestel, 2005)
(Stern, 2005)
(Actes Sud, 2001)
(Marval, 1999)
(Actes Sud, 2004)
(Seghers, 1996)
Female form through abstraction, distortion, and unconventional perspectives using wide-angle lens to explore the interplay between the human body and its environment.
Modernist work reflecting interwar cultural shifts and challenging traditional, often objectifying, representations of the female body.
Gender relationships, sexuality, and power dynamics through fragmented representations of the body through high-contrast black-and-white compositions.
Explicit female nudity, progressively zooming from full-body nudes to extreme close-ups of the vulva.
Integration of Futurist and Art Deco principles to reimagine the human body in modernist photography.
Eroticism and desire depicted through high-contrast, fragmented compositions that isolate objects and figures from their contexts.
