• Ken Ohara (1942)

One-hour exposure portraits, where prolonged exposure blurs facial features, illustrating the transient nature of time and the evolving nature of identity.

• Michael Northrup (1948)

Visual diary of marriage and family life conveyed through spontaneous, flash-lit images exploring love, humor, and surreal moments.

• Lee Friedlander (1934)

Self-portraits as fragmented, layered compositions incorporating shadows, reflections, and personal introspection within the social landscape.

• Richard Avedon (1923-2004)

Working-class individuals from the American West, stripped of environmental context by a stark white backdrop.

• Hiroshi Sugimoto (1948)

Exploration of repetition, infinity, and time through symmetrical compositions highlighting subtle visual distinctions among Buddhist sculptures.

• Helmar Lerski (1871-1956)

Study of identity fluidity and perception through a series of 175 portraits of a single individual created with mirrors and natural sunlight.