"The Tidelands", Alfred Ehrhardt (1901-1984)

Books

(Éditions Xavier Barral, 2014)

(Hatje Cantz, 2001)

Visual similarities between natural and industrial forms through the lens of realism.

The intricate architecture of plants, revealing them as natural sculptures of form and symmetry.

Anonymous working-class individuals, photographed with dramatic lighting techniques and stripped of social context, to evoke a universal essence.

Microphotographs printed on metallic and colored stocks, merging scientific imagery with decorative art.

Abstract and dynamic exploration of industrial forms through unconventional photographic perspectives in the modernist era.

Study of identity fluidity and perception through a series of 175 portraits of a single individual created with mirrors and natural sunlight.

Visual similarities between natural and industrial forms through the lens of realism.

The intricate architecture of plants, revealing them as natural sculptures of form and symmetry.

Anonymous working-class individuals, photographed with dramatic lighting techniques and stripped of social context, to evoke a universal essence.

Microphotographs printed on metallic and colored stocks, merging scientific imagery with decorative art.

Abstract and dynamic exploration of industrial forms through unconventional photographic perspectives in the modernist era.

Study of identity fluidity and perception through a series of 175 portraits of a single individual created with mirrors and natural sunlight.