Study of identity fluidity and perception through a series of 175 portraits of a single individual created with mirrors and natural sunlight.
Anonymous working-class individuals, photographed with dramatic lighting techniques and stripped of social context, to evoke a universal essence.
A two-decade photographic study of family life, combining personal history, theatrical staging, irony, and performative elements to examine change and continuity.
Visual documentation of street work and commerce in early twentieth-century Paris.
Exploration of human emotional expressions complementing Darwin’s scientific study on universal facial gestures.